Sessions on the Green music studio view
Sound becomes scene. Feeling becomes image. Guided by lyricist and imagineer Peter Pickering, this is the face of the music.

Album Art from Sessions on the Green

The Cover Story

Every song has a sound.

Every sound deserves a face.

This is where music meets image — a curated gallery of few album covers from Sessions on the Green, shaped with the vision of Peter Pickering, each reflecting the emotional core of its track.

Some covers whisper. Others ache. Some feel cinematic, others intimate.

They aren’t just thumbnails.

They’re fragments of feeling, framed.

Behind the Cover

Not every song gets a face. But when it does, it’s not decoration — it’s declaration.

Each cover in Sessions on the Green begins as a mood, a temperature, a murmur from the track itself. Before any image appears, Peter Pickering sits with the song — listening for what’s it whispering, what’s it hiding, what colour its silence might be.

Some covers are built from photographs, others from imagined landscapes, dreamlike renderings, or cinematic stills. A few are hand-tweaked or AI-assisted — but always guided by a human instinct. The aim is never to match the music, but to mirror the feeling behind it. Visual storytelling without the spectacle.

There are no branding guidelines. No templates. Just the emotional truth of the track, captured in a single frame.

Whether you see a smoky lounge, a storm in bloom, or a velvet shadow — the art is not there to explain the music. It’s there to extend it.